192. BAND PRAXIS - Punk and the Anarchist Squint
Band Praxis - Punk and the Anarchist Squint by DaN McKee (taken from The Anarchism and Punk Book Project’s Book 2 - DIY or Die: Do it Yourself, Do it Together & Punk Anarchism)
Read MoreBand Praxis - Punk and the Anarchist Squint by DaN McKee (taken from The Anarchism and Punk Book Project’s Book 2 - DIY or Die: Do it Yourself, Do it Together & Punk Anarchism)
Read MoreRead More“As a self-identified punk since my teenage years, I am very used to feeling shame about watching the Eurovision Song Contest each year, and even hiding the fact from people who know me…“
Read More“It’s time that schools became more diverse, and their staff, at least in the short-term, a little less comfortable.“
Read More“punk’s rebellious spirit - punk’s philosophy - is one of questioning norms and facilitating creative expression of new modes of thought and alternative ways of living. Which brings me to my concern - punk, or at least punks of my generation or older, seem to have gotten stuck on a knee-jerk fetishisation of physical music which is blinding them to some of the merits of modern technology and digital expression.“
There’s been a lovely write-up HERE about what we’re trying to achieve with the anarchism and punk book project that I’d love you to check out - and remember, there’s still time to chip in for the crowdfunding to help keep costs down, pay translators, etc… https://www.crowdfunder.co.uk/the-anarchism-and-punk-book-project
Hi all - I’m writing a chapter for an upcoming collection of books on Anarchism and Punk, coming out later this year on Active Distribution. In a bid to keep it both DIY and global we want to fund things like translation costs and contributor copies, as well as keep distribution costs low, through crowdfunding. If you’re able and interested in supporting the project - please check out the link: https://www.crowdfunder.co.uk/the-anarchism-and-punk-book-project
Many thanks for your support!
- DaN
Read More“I have always loved chaotic collage and my childhood bedroom walls quickly became an ever-evolving palimpsest of posters, pictures, postcards, photos, and things I’d cut out of newspapers or magazines, their content adapting over the years alongside my tastes but generally maintaining the same ragged aesthetic; an aesthetic initially limited to a single cork noticeboard on a nicely painted wall but eventually sprawling out and taking over everything until, at one mad point, I was even hanging posters upside down on my ceiling, occasionally waking startled in the night as they lost their battle with gravity and came crashing down on my face.“